On his fourth appearance at Heinz Hall, German pianist Lars Vogt talks with QED's Jim Cunningham at a Friends of the PSO event. Subjects include Beethoven's Piano Concerto #1, the Spannungen Festival, soccer, and teaching music to young players including Vogt's own daughter.
Like his father Frank-Peter Zimmermann, violinist Serge Zimmermann makes his US debut with the Pittsburgh Symphony. He talks about his father, influential violinists such as Milstein, working with Manfred Honeck, and the Tchaikovsky Violin Concerto.
German violinist Viviane Hagner talks about Haydn's Violin Concerto #1, her Stradivadrius, explorations of new music, recent recording including a Vieutemps concerto, cultural life in Berlin, and more.
Guest conductor Arild Remmereit talks with Jim Cunningham about his new post with the Rochester Philharmonic, how he went from being a rock guitarist in platform shoes to a conductor on the podium, and about his PSO program of Sibelius, Haydn and Mozart.
The German cellist with Canadian roots makes his Heinz Hall debut in Dvorak's Cello Concerto. He talks about a lost love immortalized by Dvorak, Victor Herbert's influence on Dvorak, and favorite moments in this concerto. On the personal side, Moser talks about his family, his work with a German poet and a toy pianist, and his recent conquest of the Alps on a mountain bike.
The PSO's Composer of the Year talks about working with conductor Leonard Slatkin, an early champion of her music, and about her Clarinet Concerto, Tambor, Made in America, Sequoia, Fanfares for the Uncommon Woman, and the PSO-commissioned Stroke which will premiere in May, 2011.
Visiting the PSO to play Shostakovich's Violin Concerto #1 with guest conductor Susanna Mälkki, Leila Josefowicz talks about the concerto in detail, and about her upcoming winter in Europe performing contemporary works.
Finnish conductor Susanna Malkki makes her Heinz Hall debut with works by Sibelius, Shostakovich, and Stravinsky. As Pierre Boulez's successor as Music Director of the Ensemble Intercontemporain, she has moved from the darkness of the far north to Paris, the City of Light. She talks about what Finlandia means to the Finns, Sibelius's character, and the affinities of this Russian/Finnish program.
The Seattle Symphony's next Music Director, the young French maestro Ludovic Morlot (b. 1974), makes his Heinz Hall debut with works by Weber, Bruch, Tower, and Ravel. Morlot talks about getting the right choral sound in Ravel's Daphnis and Chloe, his background as a violinist, and his work with great conductors in Boston and Tanglewood.
Russian pianist Olga Kern makes her Heinz Hall debut in Rachmaninoff's Piano Concerto #1. She talks about her work with conductor Leonard Slatkin, Rachmaninoff's concertos, her musical family and its ties to Rachmaninoff and Tchaikovsky, and meeting Van Cliburn as Gold Medalist at the 2001 Van Cliburn Competition.