Jim Cunningham spoke with guest pianist Emanuel Ax, Music Director Manfred Honeck, and sound recordist Dirk Sobotka during intermission of our live broadcast of the Pittsburgh Symphony Orchestra on Friday June 17, 2022.
Emanuel Ax sat down with Jim Cunningham on Saturday afternoon after the live broadcast of opening night Friday June 17 to talk about Mozart's 20th concerto, Chopin for an encore, his long association with the Pittsburgh Symphony, friendship with Andre Previn, the war in Ukraine and it's effect on Lviv where Emanuel Ax was born, his recent Beethoven Trios cd Beethoven for Three with Yo Yo Ma and Leonidas Kavakos, and the answer to the question are there too many good musicians today-- recorded upstairs at Heinz Hall in the rehearsal room on the fourth floor with help from Adam Kilburn engineer and videographer.
The Music Director of the Pittsburgh Symphony Manfred Honeck talks with Jim Cunningham about the program for the weekend of June 10th with three pieces written for or first heard in America. The first Pittsburgh performance of the Dvorak Te Deum, the Poulenc Gloria inspired by Benedictine Monks playing soccer in 1961 both sung by the Mendelssohn Choir, and Tchaikovsky's Piano Concerto with Beatrice Rana. Maestro Honeck says he enjoys the time on the plane to study his music and he enjoyed his recent tour with the Orchestra of Paris, having his son Joachim in town, how delighted he was with the Beethoven Symphony complete series this Spring and how thrilled he is with the general state of affairs even following a pandemic.
Beatrice Rana returns to Heinz Hall with Tchaikovsky's First Piano Concerto conducted by Manfred Honeck June 10, 11 and 12 after a rave review from the New York Times for her New York performance. She talks with Jim Cunningham about Tchaikovsky and what makes it always new, and discusses her recording with Antonia Pappano and the Santa Cecilia orchestra, her chamber music festival in Puglia Italy, studying at the Nino Rota Conservatory, Fellini movies, driving on Italian highways, her new Chopin cd and visiting the Three Rivers Arts Festival.
Jean Horne, long time Fanfare columnist for the Pittsburgh tribune Review and Chris Thompson, Mendelssohn Choir member, who discusses singing Poulenc and Dvorak with Manfred Honeck the weekend of the 10th of June.
Jennifer Orchard, Yeokyung Kim, Marylène Gingras-Roy and Charlie Powers play the Beethoven Quartet opus 59 No 2 allegretto live in the WQED-FM studio and talk about the Beethoven in our Neighborhood Library Project which takes them to Oakmont and the Carnegie Library on June 6 at 5:30. Their colleagues will continue to play the complete cycle of all the Beethoven Quartets in Carnegie Libraries though June 29.
WQED-FM's Jim Cunningham spoke with Guest Conductor Matthias Pintscher, Principal Flute Lorna McGhee and PSO Vice President of Artistic Planning Mary Persin during intermission of our live broadcast.
Alexi Kenney is the soloist this weekend with the Pittsburgh Symphony Orchestra. He'll play the Bartok Violin Concerto No. 2 with guest conductor Matthias Pintscher. In this conversation with Jim Cunningham, Alexi talks about the concerto, being familiar with the PSO, and more.
Matthias Pintscher is the guest conductor this weekend with the Pittsburgh Symphony Orchestra. He'll conduct Ravel's "Mother Goose" and "Alborada del gracioso," as well as Debussy's "La Mer." Alexi Kenney will play the Bartok Violin Concerto No. 2. Matthias talks to WQED-FM's Jim Cunningham about the concert, his recordings and composing and more.
Nathalie Stutzmann makes her Pittsburgh Symphony debut May 6th, 7th, and 8th 2022 with Dvorak’s New World Symphony and the Brahms Violin Concerto played by Daniel Lozakovich, along with a Heinz Hall first of Missy Mazzoli. Maestra Stutzmann makes her Met debut in two Mozart operas in 2021 and her debut at Bayreuth as well as the new Music Director of the Atlanta Symphony. Then there’s the Kristiansand Orchestra in Norway and the recording career as a contralto. What’s next? Hear all about it in the interview with Jim Cunningham complete with an assessment of women in the composing and conducting world and a little light shopping in Market Square.