Noseda conducts a Liszt transcription, a personal favorite Haydn Symphony, and Brahms' Piano Concerto #2 with Jonathan Biss in week 1. On the menu for week 2: Rossini, Mozart and Tchaikovsky, and he'll roll up his sleeves to cook with his friend, celebrity chef Lidia Bastianich, on WQED-HD.
Pittsburgh's newest (and smallest) opera company debuts with Milton Grainger's "The Proposal," and the world premiere staging of Jake Heggie's "To Hell and Back." QED's Stephen Baum interviews the MOC's creative team: Erica Olden, Andres Cladera, and Lisa Ann Goldsmith.
The Conservatory Theater Company at Point Park University presents the world premiere of "Time After Time," based on Karl Alexander's novel about H. G. Wells' pursuit of Jack the Ripper through time -- from 19th century London to today's America. QED 89.3's Jim Cunningham talks with the creators of "Time After Time."
Baritone Gregg Baker, who sang Beethoven's 9th Symphony in Asia with the Pittsburgh Symphony last year, returns to portray three great black baseball pioneers in Richard Danielpour's Pastime with Leonard Slatkin conducting. Baker also talks about Danielpour's 2005 opera, Margaret Garner, in which he created the role of Robert.
For Lent, Chatham Baroque expresses the sorrows of the Virgin Mary through Pergolesi's Stabat Mater, instrumental sonatas and laments. Special guests Abigail Haynes Lennox, soprano, and Ian Howell, countertenor, describe the nature of this Stabat Mater, written by a master of comic opera.
Leonard Slatkin and composer Mason Bates talk us through an American Voyage in music, including Bates' Liquid Interface for orchestra and electronics, Bernstein's Three Dances from On the Town, Gershwin's An American in Paris, and Richard Danielpour's Pastime, a tribute to three black baseball heroes.